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seated at the writers table podcast

“Seated At The Writer’s Table” is meant for anybody who geeks out over writing. If you find yourself over-analyzing a plot-line or discussing the details of a character’s dialogue than this show is for you. If you debate over who’s a better rock lyricist, Neil Peart or Pete Townshend, than this show is for you. If you’ve read and debated the finer points of the Lord of the Rings more than once, than this show is for you. Host Phil Giangrande interviews writers of all genres, as well as industry professionals such as literary agents, publishers and script doctors. For those who are interested in professional content writing for businesses, Phil will be speaking with experts in that field as well to uncover powerful marketing techniques that writers can use to immediately increase sales. Take Your Seat at the Writer's Table.
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May 3, 2019

I spoke with author of "Dreamshores" Mike Robinson at the LA Times Festival of Books.

Although author of "Dreamshores" Mike Robinson has worked as an independent video-game producer and cinematographer, writing has always been the focal point of his creative life, although to him the phrase "creative life" sounds a tad redundant. He is the author of nine books: eight novels and one collection of short stories, all touching on the realms of the psychological, the metaphysical, the strange. A native of Los Angeles, he is also a screenwriter and producer, and editor of the magazine "Literary Landscapes" for the Greater Los Angeles Writers Society, or GLAWS.

"One of the best speculative fiction authors writing now."
-- Leslie Ann Moore, bestselling author of the "Griffin's Daughter" series

Dreamshores: Restless and fire-hearted, ten-year-old Sierra Nevada Smith was always chasing monsters, whether through the pages of her favorite books or in the woods behind the secluded California town where she grew up. Fantastic new worlds opened for her, however, when, after a near-tragedy, she discovered the films of legendary stop-motion animator Russell Boylan.

Ten years later, she finds herself working aboard a yacht, adrift at sea and in life, her peers nicknaming her the 'Monster Girl' a sad consolation for her own stunted career as a stop-motion animator in this era of computer-generated effects. When their boat is mysteriously pulled through a corridor of fog, the crew finds themselves deposited on the shores of an extraordinary island, a place where the stomping, roaring, clambering dinosaurs and creatures of Russell Boylan's classic films have been relegated to live beyond script or screen, and to evolve.

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